Thursday, December 17th, 2009

I follow the path of the comet

Myrrh is mine, its bitter perfume
Breathes a life of gathering gloom;
Sorrowing, sighing, bleeding, dying,
Sealed in the stone cold tomb. #
My friend and colleague Wood Ingham wrote the most amazing Christmas poem, one of the best things I've read all year, something I've read over and over, and something that has sent me down giant rabbit holes the likes of which I have not experienced in probably two years (and inspired this tweet). Seriously, go read it.

For music: We Three Kings of Orient Are by Sufjan Stevens.

image by Kevin Tyson of the Garabedian House Christmas Display
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Thursday, February 19th, 2009

Heather's Vlog: Twilight

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Saturday, January 3rd, 2009

QotD

From Rhetorical Device:
How's a man supposed to work under these conditions? Ample free time, money in the bank, a supportive girlfriend. This is no way for a man of letters to live. Hardship. Suffering. These are the cornerstones of artistic achievement!
A brilliant blog, by the way...
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Saturday, November 1st, 2008

"You're not like born again or anything, are you?" she asked me earnestly.

I thought for a moment. "Well, not really. It's just beautiful, don't you think?"

"I think it's--I don't know, it scares me," she said gently, moving her knees slightly back and forth in the bathwater, the ripples sending the soapy water highup the sides of the thin plastic tub. She sat up, her breasts hanging drenched and heavy on her chest. "That kind of language," she continued softly, "always makes me think that maybe in another lifetime I was burned at the stake." She splashed her face with water. "That stuff gives me the creeps.

"...Talking about God just seems so pointless." There was a pause as she figured out what she meant. "It's like drilling a well right by a river, you know? The water's already there; you don't have to dig for it. Whatever is good or valuable about religion is always around us. You don't have to go to church for it. To be honest, churches give me the willies. Whenever I go inside one, I feel like the whole place is pleading to some outside force, you know? Like God or whatever is outside of us, withholding the goods. I don't really buy that idea--that someone up on a hill is doling out favors, but only if we ask in a really really nice way. I don't buy it, do you?"

...Amazing, I thought, how instantly I could feel I didn't know Christy at all, and how little I felt she knew me.

There is this place deep inside where I feel I am connected to everything, not just trees and grass and dogs but buildings and stairways, rocks and sidewalks. It's a deathly quiet place that I guess I've never shared with anyone and probably couldn't, a place that is cold sober when my body is stumbling drunk, another consciousness that sits still like an antenna in tune with some other part of the galaxy. It was this part of me that I wanted to bring to our wedding, a centered space from which I could send out my oaths. I imagined that this secret antenna was my connection to whatever eternity might be and was the part of me that Christy alone perceived and loved. But in the dark of the motel room, I realized that whether I was married or not, no one would ever know all of me; my truest self would always be estranged and alone. I was incapable of expressing my limited screwball faith and I knew that, even if I could, I'd box it in so dramatically it would be trivialized.
--from Ethan Hawke's Ash Wednesday

...originally posted on danielsjourney/blog, August 6th, 2003. I decided to read stuff from my time in Sarajevo tonight, and it turns out I have a lot of stuff from that time, and it's turned into an afternoon-long project, and I've almost compiled a chapbook's worth. This bit, not being my own, does not go into the book, but as a passage of text, so perfectly relates to so much of my life.
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Sunday, October 19th, 2008

In case I haven't pimped Joshua Allen's latest brilliance, Wiretap Follies

“FABULOUS” MITCHELL ALLEN. Can’t talk, J. I’m too busy not talking to you to talk to you right now.

JOSHUA GREEN ALLEN. Why you gotta hate right out the gate?

FMA. I mean I am just swamped.

JGA. Quick question and then you can get back to peeping on your neighbor.

FMA. I’m not peeping. I just don’t trust the guy she’s with.
...you should go check it out...
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Saturday, October 4th, 2008

I wrote this four years ago, in reference to the election about to occur then. Sadly, it is still appropriate...

I am constantly comforting myself, when rejection repeatedly rears its ugly head and I am faced with the divisiveness occurant in our country, that the trickster and prophet is remembered and the individual citizen raising one arm high in tapestried stadiums is not. Those citizens may feel comfort in their mass, fear for their perceived enemies, and awe and respect for their leaders, but in the end their leaders and their armies are only going to win or lose; either way only dictators and generals are remembered.

The long now requires us to look further ahead than just another administration, the end or non-end of a war, the perpetuation or demise of an empire. Our stomachs and children's stomachs living in this time when intelligence and innovation are largely co-opted or legislated require us to look no further than this month or this quarter.

This country needs a modern trickster myth whispered in parlors by retirees as much as it is spoken about in underground "coffee shops." It needs to transcend collegiate fraternal orders and the chess club. It needs to undermine not just political authority, but the fear that drives us to bow before the smoke and mirrors that convince us we see a cross where there is really a gun.

Your vote will not create this trickster myth. We need a silent revolution that lives in communities. We need technological protocols that are invisible to the red eyes of the FBI-RIAA demon-child. We need a clever love that confuses the chickenhawks into silence. And we need more stories.

I do believe our communities' narratives could fix this. Be careful with your community's heart, everyone. Be trustworthy when your friend or brother or sister or business partner present you with honesty. Don't dance like two people stuck in the middle of the hall, unable to pass. This social dance must be cheek to cheek. Whisper in each other's ear. Or don't say anything at all. Just know.

So I begin to live the trickster myth. To find myself in spots of trouble because I choose to trust. Choose to trust my desires, instincts. Choose to trust others. Choose to let the wary word escape my lips, the word that allows instead of disallows. The word the opens instead of closes. The word that questions instead of answers.
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Wednesday, July 23rd, 2008

Uncov blogger back with column

Google releases serialization scheme:
What makes the protocol buffer so popular with the pretentious little shits? Aside from wanting to put it on the CV they send to Google every three months, it’s got scalability written all over it. Oh, scalability: the problem that tens of thousands of engineers yearn for, but only six actually have.
One of my favorite bloggers is back with a column in the Register.
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Thursday, July 3rd, 2008

Dinner with Lauren McLaughlin

Senses Five Press
Storytelling is the foundation of any good novel and I think it's actually a very rare talent. Plenty of writers get by on killer premises and witty style. But effective storytelling is all about structure. It's very mechanical, almost architectural. When you can marry that structure to a framework of ideas, then the novel can transcend pure entertainment. The trick, in my opinion, is to weave these ideas invisibly into the story so that they are discovered, unraveled by the reader. My goal is to seduce my reader into a compelling narrative that whittles away at some preconceived idea and leaves them with an uncomfortable but somehow intriguing gap in their sense of the world.
Her site looks rather interesting -- a blog that mentions cheese, music that is described as from robots, and podcasts. Hopefully I'll someday have time to check out stuff like this again.
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Wednesday, May 28th, 2008

Cities and Ambition

In a hundred subtle ways, the city sends you a message...
I normally don't have enough time for Paul Graham's cogitative essays, but this one caught my attention: I wonder what Dallas' message to its inhabitants is?
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Wednesday, May 14th, 2008

Paulo Coelho seems to get it

Best-Selling Author Turns Piracy into Profit
Paulo Coelho, author of books such as "The Alchemist" and "The Witch of Portobello", sold over 100 million books last year. In part, he puts this success down to BitTorrent, as he saw a huge increase in sales when his books appeared on sites such as The Pirate Bay. We talked to Coelho to find out more about this remarkable story.

"Since the dawn of time, human beings have felt the need to share - from food to art. Sharing is part of the human condition. A person who does not share is not only selfish, but bitter and alone," Coelho told TorrentFreak, explaining why he decided to share his books for free.
via paulocoelhoblog.com
via project pedal
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Wednesday, April 30th, 2008

Cory Doctorow: A Singular Metaphor

I finally got around to subscribing to Cory Doctorow's podcast a couple weeks ago, and today while running around I had a chance to finish up his spectacular talk from late last year, A Singular Metaphor (direct mp3 link). Highly recommended. I tweeted a word of the day yesterday while listening to the first part, but the even better term was the Singularity, used with nuance in the second half of the talk.
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Saturday, April 26th, 2008

Art redux notes


4 grand wishes
Originally uploaded by jessilynn
The "big long post about art" is going to end up being the usual bunch-of-only-somewhat-coherent thoughts here possibly followed by the combination of all those thoughts into some kind of publication.

But for now, my just-barely-too-long-or-numerous-for-twitter thoughts...

So much of art these days just seems like improper masturbation to me. I don't want to become the curmudgeon or cynic that so heartlessly dismissed/dismisses my own efforts. And I think I differ in that instead of not caring about art, I care about art too much. But seriously, have you read an artist's statement lately? Especially from someone either coming out of an academic situation or trying to appeal to the academics? It feels like the academies have slowly become degraded. A vocabulary representing meaning has replaced actual meaningfulness. The words that were supposed to communicate meaning have become more important than the meaning itself. And without the actual meaningfulness we lose context. And without context we become vapid. We become an un-unified theory of everything.

There is no language without deceit.

The same could be said for any discipline. I guess I just care the most about art, because art was supposed to be spiritual. The best Immediatist agitprop will leave no trace at all, except in the souls of those who are changed by it (more Bey). But it's not enough to just say, "All art should be Immediatist," because while better than ejaculating on the wall and calling up your PR firm, that is not what I am proposing. Bey says, "The game's payoff lies in its ability to escape the paradoxes & contradictions of the commercial art world (including literature, etc.), in which all liberatory gestures seem to end up as mere representations & hence betrayals of themselves," emphasis mine, and if you know anything about immediatism you know he means representations of the immediate, the real, the actual, the pre-capitalist, the pre-structural. But I mean to say representations of meaning. Just as many Christians have come to worship the text instead of the God who presumably authored it, we will continue to make attempts at words that will give authority to what essentially amounts to some vaguely aesthetic abstraction of our desires.

vague
Originally uploaded by dealingwith



Examples will come when I figure out a way to give them without totally shitting on their parades.
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Thursday, April 3rd, 2008

yes.



see also: [the unamerican] 2
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Monday, March 24th, 2008

Editing becomes a more explicit act of sorting, shuffling, balancing paragraphs.

A Brief Message: No Resistance Is Futile:
Now when I face a new writing project, I open a spreadsheet. I want a grid to keep track of sources and dates, or to make certain that the timeline of a story makes sense. The grid imposes brevity. Relationships between sentences are exposed. Editing becomes a more explicit act of sorting, shuffling, balancing paragraphs. In this spirit, I'm rewriting some blog software to read directly from Excel. We'll see how that goes.
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Tuesday, March 18th, 2008

I has written something for online

East Dallas House Concerts on Rise

(Just a few paragraphs. The original photographs can be found here.)
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Wednesday, March 12th, 2008

Updated danielsjourney


djdcshot
Originally uploaded by dealingwith
I updated danielsjourney.com. I had sort-of taken the site down for a couple weeks out of external frustrations, and played with a bunch of options for how I might re-vamp the site, but in the end the underlying markup hasn't changed that much, nor has the way the content is presented (although that is what I wasn't exactly happy with with the last design). It is even more lightweight than it was, the markup only has two structural elements and the CSS is now really small. I was/am still thinking about adding content from all the different areas not represented (Flickr, Vimeo, etc), as well as adding customization options, but in the end have kept just the LJ, Delicious, and Twitter for now.

I also updated /writings and /art quite a bit. There is still quite a bit of archived stuff to add to those areas, but I got a good chunk re-published. Turned out a lot of the art stuff was still on the server, just either not linked to properly or still the victim of a Dreamhost server hack that occurred last summer.

Welcome feedback.

mp3s of the day: David Sedaris, Parade (part), which I just found hilariously appropriate on many levels. Sean Lennon, Two Fine Lovers, which I'm just really into at the moment.
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Thursday, February 7th, 2008

The Antipocalypse

My friend Wood is the editor for SCM's
Movement magazine. While I was visiting him last year (I think that's when it was), he asked me if I'd like to write for the magazine. Christians over there not generally being quite the strange bunch they are stateside, I agreed. The following is what resulted:

The Antipocalypse

I'm actually slated to do two more, and the request is I continue this thread. I have no idea how I'm going to do that, but I have three weeks to figure it out!
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Thursday, November 29th, 2007

There's no 'u' in 'color.'

There's no 'u' in 'color.'
Web copywriters need to get hired in the first place. Then we* can enjoy the dubious luxury of going on strike. The picket signs will read thusly: </p>
Sometimes I don't want to hear hope. Sometimes I want to be snarky in a different accent and with better shoes. It's the writer in me. Snarkiness is next to godliness. Sometimes, though, hope just suits me better.

Also, I'm American. And I'm learning to deal with that.
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Monday, September 24th, 2007

The beauty of letterpress


http://www.youtube.com/watch?v=Iv69kB_e9KY

via http://www.slash7.com/articles/2007/9/11/the-beauty-of-letterpress
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Thursday, April 12th, 2007

chrono-synclastic infundibula



"Sleep tight."
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